Wait a minute, you ask: hasn’t Colin James always played the blues? Well, yes, but back when he was signed to his first record deal in 1988, his producer—who’d worked with Ray Charles and Derek and the Dominoes—explicitly told him not to play any blues, because the label expected a pop hit. When James later made one of the biggest albums of his career—1993’s Colin James and the Little Big Band, released years before the so-called “swing revival”—his label hated it, as did critics and many fans before it went on to go triple platinum in Canada. Then there was the acoustic blues album National Steel in 1997, made with Colin Linden, which was the first time James made a full-on blues album, which landed him on folk festival bills alongside the likes of John Prine and John Hiatt. It was an explicit embrace of the blues James had loved since the Regina-born guitarist was 16 years old and was blown away by James Cotton at the Winnipeg Folk Festival. A song that Cotton played that night, “One More Mile,” became the title track to the new album: bookending it in electric and acoustic versions.